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The Harlem Renaissance and the Cotton Club

 

 

It's getting dark on Old Broadway,

You see the change in ev'ry cabaret;

Just like an eclipse on the moon,

Ev'ry cafe now has the dancing coon.

Pretty choc'late babies

Shake and shimmie ev'rywhere

Real dark-town entertainers hold the stage

You must black up to be the latest rage.

"It's Getting Dark on Old Broadway"

from the Ziegfeld Follies of 1922

*quoted in Bulldaggers, Pansies, and Chocolate Babies by James F. Wilson (17)

 

 

 

 

 

 

 

 

The Harlem Renaissance

This text is quoted from history.com. Please see the Works Cited page for more information.

"Spanning the 1920s to the mid-1930s, the Harlem Renaissance was a literary, artistic, and intellectual movement that kindled a new black cultural identity. Its essence was summed up by critic and teacher Alain Locke in 1926 when he declared that through art, “Negro life is seizing its first chances for group expression and self determination.” Harlem became the center of a “spiritual coming of age” in which Locke’s “New Negro” transformed “social disillusionment to race pride.” Chiefly literary, the Renaissance included the visual arts but excluded jazz, despite its parallel emergence as a black art form." (18)

Left and Below: Bert Williams became the first person of color to perform in the Ziegfeld Follies in 1910. (17)  As you can see, he performed in blackface.

The Cotton Club Orchestra, Harlem, 1925

Louis Armstrong "Hot Five"

Billie Holiday

Duke Ellington

The Cotton Club

This text is quoted from blackpast.org. Please see the Works Cited page for more information. 

"Opened in 1923, the Cotton Club on 142nd St & Lenox Ave in the heart of Harlem, New York was operated by white New York gangster Owney Madden. Madden used the Cotton Club as an outlet to sell his “#1 Beer” to the prohibition crowd. Although the club was briefly closed several times in the 1920s for selling alcohol, the owners’ political connections allowed them to always reopen quickly. 

 

"The Club was decorated with the idea of creating a 'stylish plantation environment' for its entirely white clientele. As with many New York City clubs of the time period, that meant the upper class of the city. The Cotton Club at first excluded all but white patrons although the entertainers and most of staff were African American. Exceptions to this restriction were made in the case of prominent white entertainment guest stars and the dancers. Dancers at the Cotton Club were held to strict standards; they had to be at least 5’6” tall, light skinned with only a slight tan, and under twenty-one years of age. 

 

"The oppressive segregation of the Cotton Club was reinforced by its depiction of the African American employees as exotic savages or plantation residents. The music was often orchestrated to bring to mind a jungle atmosphere. By transforming the club into this plantation atmosphere and bringing in celebrities, Owney Madden created a demand for the Cotton Club and its exclusionary policies and also helped perpetuate widely held stereotypes about African Americans. 

 

"Shows at the Cotton Club were musical revues that featured dancers, singers, comedians, and variety acts, as well as a house band. Duke Ellington led that band from 1927 to 1930, and sporadically throughout the next eight years. The Cotton Club and Ellington’s Orchestra gained national notoriety through weekly broadcasts on radio station WHN some of which were recorded and released on albums. The entertainers who played at the Cotton Club were some of the most widely known blues and jazz performers of their time including Ethel Waters, Cab Calloway, Ellington and many others. The race riots of Harlem in 1935 forced the Cotton Club to close until late 1936 when it reopened at Broadway and 48th St." (19)

 

The Performances

 

 

Bessie Smith (1894-1937) earned the title of the "Empress of Blues" with her "powerful, soulful voice... By the end of the 1920s, Smith was the highest-paid black performer of her day." (20)

 

Video Clip: "St. Louis Blues" (1929) - only existing video footage

Audio&Images: "T'aint Nobody's Business If I Do" (1923)

Audio&Images: "Muddy Water: A Mississippi Moan" (1927)

Audio&Images: "Nobody Knows When You're Down and Out" (1929)

 

Cab Calloway (1907-1994) was a singer and bandleader who performed at the Cotton Club. In the 1930s and 40s, he was one of the most popular American entertainers and appeared both on stage and in films." (21)

 

Video Clip: "Reefer Man" (1933)

Video Clip: "Minnie the Moocher" (1942)

Video Clip: "Hi De Ho"(1934)

Video Clip: "Stormy Weather" (1943)

Video Clip: "Zaz Zuh Zaz" (1933)

 

The Andrews Sisters: LaVerne Andrews (1911-1967), Maxene Andrews (1916-1995), and Patty Andrews (1918-2013) "were the most successful female vocal group of the first half of the 20th century. Their exuberant, close-harmony style was well-suited to cheery novelty songs, and their intricate vocal arrangements and rhythmic ability mirrored the sound of swing bands." (22)

 

Video Clip: "Boogie Woogie Bugle Boy" (1941)

Video Clip: "Don't Sit Under The Apple Tree (1942)

Video Clip: "Gettin' Corns For My Country (1944)

Video Clip: "Rum and Coca Cola" (1944)

Video Clip: "Gimme Some Skin, My Friend (1941)

 

Frank Sinatra (1915-1998) "was one of the most popular entertainers of the 20th century, forging a career as an award-winning singer and film actor." Throughout his career, he garnered a massive fandom and maintained an image as "hard-drinking, womanizing, gambling swinger" and was nicknamed the "Sultan of Swoon." (23) Most available video clips were from the 50s and 60s.

 

Video Clip: "You Make Me Feel So Young" (1962)

Video Clip: "It Was A Very Good Year" (1961)

Video Clip: "I've Got You Under My Skin" (1956)

Video Clip: "Luck Be a Lady" (1966)

 

 

 

Billie Holiday (1915-1959) "Considered one of the best jazz vocalists of all time, Holiday had a thriving career as a jazz singer for many years before she lost her battle with substance abuse. Her autobiography was made into the 1972 film Lady Sings the Blues. In 2000, Billie Holiday was inducted into the Rock and Roll Hall of Fame." (34)

 

Video Clip: "Strange Fruit"

Video Clip: "The Blues Are Brewin'"

Video Clip: "Fine and Mellow" (1957)

 

Ethel Waters (1896-1977) was a blues and jazz singer and dramatic actress whose singing, based in the blues tradition, featured her full-bodied voice and slow vibrato.

 

Video Clip: "Am I Blue" (1929)

Video Clip: "Birmingham Bertha" (1929)

Video Clip: "Cabin in the Sky" (1943)

Video Clip: "I Ain't Gonna Sin No More" (1934)

 

 

 

 

 

 

 

 

Others:

Duke Ellington

Paul Robeson

Charlie Parker

Dizzy Gillespie

Miles Davis

Count Basie

 

 

 

 

Bessie Smith

Cab Calloway

The Andrews Sisters

Frank Sinatra

Billie Holiday

Ethel Waters

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